Photo probably dating to the first years of the 1870s. On the back is written:
"Ida, Hilda, Manda
which isn't much to go on - but turned out to be enough to identify them completely.
They were three sisters from the small village of Södra Runsten, Runsten parish, Öland, Sweden. They were the daughters of Anders Knutsson (May 25th 1824-November 25th 1895) and his second wife Stina Maria, whom he had married December 7th 1855 - just two months after he had lost his first wife.
The girls are:
oldest, and in the middle of the photo, Hilda Albertina Gustava, born December 16th 1856. She moved to Ljungby, Sweden, December 6th 1879.
middle, and to the left in the photo, Ida Olivia Kristina, born June 3rd 1860. She emigrated to North America August 6th 1887.
youngest of the girls, to the right in the photo, Amanda "Manda" Carolina, born January 14th 1863. She left her home in October 1899, and just like her older sister emigrated to North America. When she left her last name was noted as "Knutsson", meaning she had left the old custom of having her father's name + daughter (in this case it would have been Andersdotter) and adopted the newer (and now prevailing) custom of taking the father's last name and using it as her own.
It is hard to tell exactly how old the girls are in this photo, but I think it most likely dates to before 1874, partly based on their looks and partly based on that they had a brother, Knut Ossian, born December 26th 1873. The brother would eventually take over the farm, after their father's death - and he married Frida Lydia Johansson (born July 23rd 1880) on July 24th 1900 - a year after the last of his sisters had left home for good.
Note the matching dresses and the lace collars (probably removable) and the belt-buckles - and the earrings on Hilda - these girls were probably comparably well off.
|Emily Georgiana at Victoria & Albert Museum, London.|
This monument, honouring her memory, was made by the Scottish artist Lawrence Macdonald, who finished his work in 1850 in Rome. It is made of Carrara marble, and both parts (statue and base) weighs close to 3 tons. It depicts the lady in a very Neo-classical style - inspired by Roman statues it shows the woman draped (in a manner she was most likely never dressed in real life) and reclining on a Antiquity-inspired sofa.
The full text on the base reads:
SACRED TO THE MEMORY OF EMILY GEORGIANA THE BELOVED WIFE OF GEORGE WILLIAM EARL OF WINCHILSEA AND NOTTINGHAM WHO DIED JULY THE 10th 1848 AGED 39 AND WAS BURIED IN THE CHANCEL OF EWERBY CHURCH LINCONLNSHIRE
WHEN THE KNELL RUNG FOR THE DYING SOUNDETH FOR ME AND MY CORSE COLDLY IS LYING NEATH THE GREEN TREE
WHEN THE TURF STRANGERS ARE HEAPING COVERS MY BREAST COM NOT TO GAZE ON ME WEEPING I AM AT REST
ALL MY LIFE COLDLY AND SADLY THE DAYS HAVE GONE BY WHO DREAMED WILDLY AND MADLY AM HAPPY TO DIE
LONG SINCE MY HEART HAS BEEN BREAKING ITS PAIN IS PAST A TIME HAS BEEN SET TO ITS ACHING PEACE COMES AT LAST
(You can also find the line: L.MACDONALD.FECIT.ROMA 1850, i.e. "Made in Rome 1850 by L. Macdonald")
As stated here Emily Georgiana was buried at Ewerby church, Lincolnshire - Ewerby being close to the estate of Haverholme Priory. What is perhaps a bit more surprising is that this monument didn't come from that church to the Victoria & Albert Museum, but from the church St. Mary in Eastwell in Kent (now in ruins) - the rector and church wardens of Eastwell donated it to the museum in 1969. How it ended up there is less clear. It is now one of the central pieces in the sculpture hall.
A couple of side notes - the Earl George William (perhaps best known today, if known at all, as having duelled with Wellington) married again in 1849. He died in 1858.
The estate of Haverholme Priory was, as the name suggests, a monastery to begin with - it had been the home for Gilbertine monks, but it was dissolved by Henry VIII. The place was in the Finch-Hatton family for several generations before it was sold in the 1920's to a rich American woman. She had the place dismantled to ship it over to the US and to have it rebuilt there(!). But before the work was finalized she died in a train accident. The shipping of the stones from England never took place after this, instead it was used in the docks of Liverpool where the cargo had been waiting to be shipped at the time of the accidents. All that remains now of Haverholme Priory are some ruins.